- born Max Goldmann (1873-1943)stage director; his revolutionary theatrical techniques made him Germany's premier director during 1905-1920. Born to a minor Jewish businessman in the village of Baden, near Vienna, he was raised in Vienna and began acting in 1890 under the name Max Reinhardt. His first big contract came in 1893 with Salzburg's Stadttheater.In September 1894 he was engaged by Otto Brahm, director of Berlin's* Deutsches Theater, and soon made his name portraying elderly men. But Brahm was com-mitted to Naturalist drama, especially plays by Gerhart Hauptmann* and Henrik Ibsen, and Reinhardt tired of the harsh realism.Reinhardt directed his first production in 1900. To escape the tiresome content of Naturalism, he launched the cabaret* troupe Schall und Rauch (Sound and Smoke) in 1901. Performing at various locations, the troupe eventually estab-lished itself at Berlin's Hotel Arnim, where Reinhardt commissioned Peter Behrens* to redesign a small theater* suited to cabaret. He focused initially on the works of Frank Wedekind and Hugo von Hofmannsthal, enjoyed rapid suc-cess, and was able to leave Brahm in January 1903 (he had to pay for breach of contract). Not content with one theater, he also assumed direction of the Neues Theater am Schiffbauerdamm (Bertolt Brecht's* theater in the 1950s). After an acclaimed 1905 production of Midsummer Night's Dream, he left Schall und Rauch (renamed the Kleines Theater) and became director of the Deutsches Theater; he purchased the theater in 1906 and then opened the Kam-merspiele next door. Upon founding an acting school, he became the unchal-lenged master of the German stage.Reinhardt's roots were in cabaret. While he engaged the best actors and took spectacles on the road (including Paris, Moscow, London, and New York), he is esteemed for his experimentation—for example, theater-in-the-round produc-tions of classical works, the staging of open-air drama, and his production in 1910 of Sophocles' Oedipus Rex at Berlin's Circus Schumann. For his panto-mime-pageant The Miracle (1924), he remodeled the interior of Vienna's The-ater in der Josefstadt to resemble a cathedral (he also produced the play in New York). He remained at the Deutsches Theater until 1920, but reactivated Schall und Rauch in 1919 upon acquiring Circus Schumann, which he renamed the Grosses Schauspielhaus. He had the circus ring recast for serious drama, while the underground cellar, once home to the animals, was used for cabaret. But Berlin's critics were no longer so generous; by 1920 several younger directors— for example, Leopold Jessner,* Erwin Piscator,* and Jürgen Fehling*—were challenging his position with their politicized theater (Reinhardt argued that "art is neutral territory"). After founding the Salzburg Festival with Hofmannsthal and Richard Strauss,* he released the Deutsches Theater in 1920 to Friedrich Hollander and returned to Vienna; but following his acclaimed 1924 production of Carl Vollmoeller's The Miracle, he was back in Berlin.Although the depression* was a severe blow, Reinhardt retained ownership of the Deutsches Theater until March 1933, when the NSDAP compelled him to release his theaters to "the German people." He emigrated to Austria* and then left for the United States in 1937.REFERENCES:Lotte Eisner, Haunted Screen; Jelavich, Berlin Cabaret; Reinhardt, Ge-nius; Styan, Max Reinhardt.
A Historical dictionary of Germany's Weimar Republic, 1918-1933. C. Paul Vincent.
Look at other dictionaries:
Reinhardt,Max — Reinhardt, Max. 1873 1943. Austrian theatrical director and manager whose experimental, large scale productions included Oedipus Rex and The Miracle. * * * … Universalium
Reinhardt, Max — (Max Goldmann, 1873 1943) Director, actor, manager. Reinhardt is among the most significant figures in the entire history of the German theater. He was both the herald of a new era and a fulfillment of nearly everything that had gone before it … Historical dictionary of German Theatre
Reinhardt, Max — orig. Max Goldmann born Sept. 9, 1873, Baden, near Vienna, Austria died Oct. 31, 1943, New York, N.Y., U.S. German theatrical director. After studying drama in Vienna and acting in Salzburg, he joined Otto Brahm s company in Berlin in 1894.… … Universalium
Reinhardt, Max — (1873–1943) Born Max Goldmann in the Austrian resort town of Baden, just south of Vienna, Reinhardt was a true man of the theater. An actor, director, theater manager, and author, he was also the husband of Helene Thimig (1889–1974), a member… … Historical dictionary of Austria
Reinhardt, Max — (1873 1943) Born Max Goldmann in Baden, Austria Hungary, Max Reinhardt became one of the most admired and prolific directors and producers in Europe. His early work was seen in America in 1912 when Winthrop Ames brought Rein hardt s Asian… … The Historical Dictionary of the American Theater
Reinhardt, Max — orig. Max Goldmann (9 sep. 1873, Baden, cerca de Viena, Austria–31 oct. 1943, Nueva York, N.Y., EE.UU.). Director teatral austríaco. Después de estudiar teatro en Viena, interpretó pequeños roles en Salzburgo. En 1894 se unió a la compañía… … Enciclopedia Universal
Reinhardt, Max — • РЕ ЙНХАРДТ, Райнхардт (Reinhardt) Макс (наст. фам. Гольдман, Goldmann) (9.9.1873 30.10.1943) нем. и австр. режиссёр. В 1894 окончил театр, школу при Венской консерватории. Работал актёром в разл. т рах Австро Венгрии и Германии. В кон. 90 х… … Кино: Энциклопедический словарь
Reinhardt, Max — pseud. di Goldmann, Max … Sinonimi e Contrari. Terza edizione
Reinhardt, Max — (1873 1943) German producer and director. Born in Baden, Austria, he was an actor and assistant director at the Salzburg State Theatre. In 1894 he went to Berlin to the Deutsches Theatre. In 1903 he began directing, and in 1905 he became… … Dictionary of Jewish Biography
Reinhardt, Max Goldmann, llamado Max — ► (1873 1943) Director teatral y cinematográfico austríaco. Autor de El sueño de una noche de verano … Enciclopedia Universal